Level your sound between hosts and music – 10 Commandments of Podcasting Part 3

10 Commandments Of Podcasting Part 3Todays commandment is thou shall Level your podcast’s sound.
I know alot of you have experienced this in one form or another. Your sitting in-front of a TV watching your favorite TV show and a commercial comes on and blasts you out of your seat… or your listening to your favorite podcast, the show ends and the next begins, blowing your ear drums OUCH huh? No one likes having their ears blown up.

Correcting this is in your podcast is very easy, to start you want to record a show show between -12db and -8db, this if your recording with an portable recorder, if your recording using software like audicity you want to record at half of what the wave shows (With both methods it gives you room to Amp or Duct the volume if need be).

Once you have your base show add your music and work from there. Most music is set to a standard volume level and should work vocal levels around music using ducting

Most music to voice levels dont match and most music needs to be lowered, Via Ducting
You can use a great peace of free software calledLevelator from The Conversations Network, it levels your music, voice, or efx to the right level mix that it should be, so your audience doesnt get mad and turn your podcast off or skip.

How do you Level your podcast? leave a comment below or email Feedback@how2podcast.com

Mix your left and right together – 10 Commandments of Podcasting Part 2

10 Commandments Of Podcasting Part 2This is a Guest post by Buyer Brown of BBTAS.com

I remember being a child and watching a cartoon of a man with an angel on his right shoulder and a devil on his left shoulder. The Man in the middle was torn on what he should do and like this illustration you may also be torn on what you should do when it comes to mixing your audio.

I must tell you, having stereo mix of audio is a must for great podcasting; it’s very unprofessional to have the host voice only coming through the left or right speaker instead of playing through both at the same time. Listeners want to feel surrounded by sound, immersed by the show.

Now I need to make this clear for the sake of not destroying your creativity some rules are meant to be broken, there are a few case you may want the Host’s voice to play through one side and another person’s voice to play on the opposite side, here are a couple examples

  • You want to do a funny audio skit, simulating a person (your Listeners) going crazy and hearing voices where the left says something different from the right think of the angel and devil skit.
  • You want to create 3D sound effect or motion sound effect, were it sounds like your voice is moving around and through your listeners head or body – this technique is used in movies and commercials.

These techniques should be used sparingly and never overdone nothing worse than a show full of affects or sound board clips it gets real annoying real fast unless of course your audience is the annoying type.

How do you Mix your audio and what program do you use? Leave a comment below or email it into Feedback@how2podcast.com

ID3 Tagging and Artwork – 10 Commandments of Podcasting Part 1

10 Commandments Of Podcasting Part 1Guest Post by Buyer Brown Of BBTAS.com in colaberation with Benjamin Straw

The first Commandment of podcasting is thou shalt tag your MP3 or AAC files.
A lot of podcasters have missed this fundamental thing called tagging. There is no excuse for this and every podcaster should know how to tag his or her own files.
When it comes to Podcasting and the convent podcaster file format known as mp3’s, Order is exactly what you want, but sadly a great number of your podcasting brethren fall short on this subject lets dig deeper.

Throughout history mankind has used many identifying systems for the purpose of tracking and maintaining order. Some examples are the postal services, scanning labels, social security number, and driver’s licenses.

Despite the popular belief, (From Spontaneous Chaos, Comes Order) in example (Big Bang Theory) a more proven train of thought is (From Lack of Order Comes Chaos) this is why these identifying systems play such an important role in all of our lives.

So what is (ID3 Tagging)? Simply put, it’s a system built to identify music, audiobooks, or a podcast. The (ID3 Tagging) system gives the users or listeners of these mp3 files important information about that mp3 file such as Who, What, Where, When, Why, How, to make this a bit clearer let’s put it into some practice.

  • Who – (Created the mp3 file? Such as authors name)
  • What – (Is the name of this mp3 file? Or the Title of this file)
  • Where – (Was this created? Your city, name of your studio, or maybe the business name)
  • When – (Was this mp3 file created? The date)
  • Why – (Was it made – such as a small excerpt)
  • How – (This could be answered along the lines of your bit rate used)

This information attached to the mp3 file of your podcast, supplies the answers to the vital questions that humans apply to every new bit of data we encounter. To be more technically correct the attached data is called metadata insert that term into your vocabulary when it comes to a technological society it will surface often. So far this has been a light covering of ID3 Tagging other bits of information can be added such as Album art file formats and sizing, programs to add your ID3 metadata and so on okay let’s dig deeper.

Tagging your MP3 With Audacity

So lets imagine that you have a finished your podcast and you save the file as an mp3 file… Its just busting at the seams with your podcast goodness and now you hear in the back of you mind (Time To Do Some ID3 Tagging) what would you do? what would you encounter? Well that depends on you because now its time to chose what program you will use to create your ID3 Tags here is one example Audacity many podcasters use Audacity to record their podcast with and then export to mp3 using the
(Lame mp3 encoder) whether you should or should not do this is not the issue at this moment but rather if you chose Audacity as your solution you will encounter this ID3 Tag window

As you can see its not listed as Who, What, Where, When, Why, How, but instead its listed
Artist Name, Track Title, Album Title, Track Number, Year, Genre, Comments. This should not throw you off but instead adapt your ingrained thinking of Who, What, Where, When, Why, How, to match up.

Artist Name: Host and if it applies co-host’s  This tag in most cases will always be the same unless you give your show away and a different person is taking over your show for good.

Buyer’s opinion is if you have a guest host list their name in the Title of the episode and not on Artist Name.
Benjamin’s opinion is to put it int the Artist name, you are letting the listener know who is in the show. I do this by putting your name “Benjamin Straw” than adding “Ft. Buyer Brown”. This is how it would look like “Benjamin Straw, Ft. Buyer Brown”.

Track Title: This is the Name of the episode not the name of the show – this should be short sweet and to the point with a twist the Title of the Episode has the power to catch a new listeners eye much like the title of a book. Remember be competitive give me a reason to spend my time listening to your show.

Album Title: This is another field that will not change, its the Name of your show and should be constant. This field is very important to mp3 players such as ZUNE its used to group shows together so be nice to this tag and it will server you well.

Track Number: This is where you will put the episode number of your show – some podcasters like to put episode numbers in the title of the episode this is okay but make sure to do the same in the Track number location.

Year: Of course you know what to do here

Genre: You can put Podcasting in this field.

Comments: I save this area to list everything else like special notes, URL to the podcast page or messages to your listener.
Although alot of mp3 players dont use this field, some desktop audio players still do.

Now for the down side Audacity Doesn’t allow you to add artwork and you know its a shame you cant do everything right there.

Tagging your MP3 With MP3Tag

MP3TagAfter that disappointment lets take a look at another MP3 tager called MP3Tag from Florian Heidenreich.
And guess what? Like Audacity it’s also free and very easy to create your tags. Their are a lot of other free and paid software that can help you tag your podcast. but this one beats all of them while almost.

MP3Tag might just be one of the best MP3 tag software on the market, but it does have its downfalls, well I wont focus on those but I will tell you the good things about MP3Tag. Let’s start out with it what all the other MP3 tag editor’s have including this one… Title, Artist, Album, Year, Track, Genre, Comment, and Album art. But the nice thing about MP3Tag is the ability to customize the editor. Not only can you customize just the essential stuff but other fields, for example you can add a custom fields like composer, disc number, etc.
but not only can you customize just the fields, how would you like to do a bulk editing, I can take an entire CD and edit a single MP3 file or all of them at the exact same time, with in the editor. You could even go as far as renaming each file with a single keystroke, sweet huh?
But with all that tagging goodness there is still some thing missing from this editor.

iTunes Does everything for you (Except goto the bathroom for you!)

On words to iTunes, the glorious iTunes, a podcaserds best friend! Not only can encode your MP3 or AAC files, but it can also type tag MP3 files in a really cool way.
I’m not saying every podcaster likes iTunes but they should, I mean the things that Apple has done for us (I mean podcasters) deserves to be recognized.
Apple has given us so many tools, Garageband, iTunes, podcast publisher, I mean the  the list keeps going and going and going. Although most of these programs are for MacOS X only, Apple has added us windows people  iTunes as reduction.

What I like to do after editing and mixing my WAV file and audacity is toss it into iTunes and let iTunes encode the file into an MP3 (Note: this is after changing a few settings within the preferences).
After it’s all done I right-click the MP3 file and choose “Get Info” wow I bet you’ve never seen this before! The first page you see  gives you all the information you need to know about your MP3 down to how it was encoded, Just like what was said before what when where and why oh I forgot how, But its  a little different( most of which you don’t need to know about or really care about!)
The next tab is called “Info”. In this tab iTunes gives you fields to put your all your tags in Name, Artist, Album Artist, Album, Grouping, Composer, Comments, Genre, Year, Track Number, Disc Number, and BPM.
For podcasting there are four fields you don’t really have any need for and dont have to worry about, those are  ”Album artist, Grouping, Ddisc Number, and BPM” (I still have no clue what grouping is for!)

The naming schemes that iTunes uses is a little different from other MP3 tagging software, for example “Name and Title” are the same thing.
Also there are some extra fields that are not included in the other software, for example “Composer” or “Disc number” but don’t frat after a while you will get used to it.
The next three tabs “Video, Sorting, and Options you don’t really need to worry about, but you do need to worry about the next two Lyrics and Artwork

Lyrics is a place where you can put any text into it and when I mean anything I mean anything. You can put your show notes, e-mail address, phone number, or whatever you want.

I like to put my sponsorship of the top, followed by a little excerpt of the show, followed by an e-mail address and a phone number of my network.
I’ve seen other podcasters put jokes, entire show notes, thank you messages, even full scripts used in their podcast.
After the lyrics tag is

Artwork, which I think alot of podcasters overlook or misuse.
Although not all MP3 players show the artwork, but a lot of them do, my Blackberry did when I used it as an MP3 player and now that I have an iPod touch it also uses the artwork.
It showcases the great art of your show I mean you worked really hard on that piece of art wouldn’t you like to showcase it? I know I would.

In the next series of the 10 Commandments of podcasting were going to into the next second commandment, Mix your left and right together. So stay tuned.

We would like to know how you tag your MP3 files? Leave a comment below or email Feedback@how2podcast.com

Cables every podcaster should have two of

Cables
Recently I had a problem with two of my audio cables, having your cables run behind the mixer and then turning the mixer on and off can cause cables to bend, stretch, and break. Not to mention if you travel with a mixer. Having a cable break right before your start to record a show can be frustrating, especially if you record a live show.
Most studios, DJ’s, sound engineers, and podcasters keep more than one cable just in case something where to happen.

Speaking of audio

Microphone Female XLR to Male XLR cable
You might have guessed what this cable does, even-though this cable almost never breaks, its still good to have an extra cable just in case. Its also good to have more than one just haning around if you have more than one microphone.

Red and White RCA to 3.5mm headphone jack
I use this cable for adding other audio sources, like an iPod/iPhone, Mp3 player, CD player, Laptop, or the odd tape deck

Phone or better known as 1/4 inch to 3.5mm headphone jack
I use these as a more permanent way to connect my computers audio into my mixer, and for mixing skype from my mixer to the computer.

3.5mm headphone to 3.5mm headphone
I use two lengths on my setup, a 3 foot cable and a 7 foot cable. The 7 foot cable is used for connecting a Zoom H2 handy portable recorder from a my Behringer AMP800 Headphone Amp, What connects my Headphone amp to my mixer is the 3 foot cable.

Having many spare cables lying around is a good thing if you travel alot with your podcast equipmant or just have it sit in one place. things just break from ware, it happens.

What kind of cables to you keep just in case? Leave a comment below or email Feedback@how2podcast.com

Creative Commons License photo credit: sk8geek

Website hosting for podcasters

Choosing a web host for your podcast or blog can be a hard choice, I myself have gone though 3 hosts over the years, and there are to many out there to choose from. Most hosting providers are reselling a service that they had bought from another provider, or bought a server and is selling space on it. Many people go with the cheapest, but that may be wrong way to go.

Not going with a reputable hosting provider can cause you pain and headaches down the road. One host I was with had its service down 15 times in a month and than 6 months later gave its customers 10 days to to find a new host because they could not compete with the competition.

Not all hosting providers are bad the ones in this list have been in business for well over 10 years and have millions of customers, If they go out of business, alot of people would revolt.

Features to look for in a New host is a price good, Web space, bandwidth offered, domains able to use on a single host (if you have multiple sites), Site backup, Timely Support, and the thing everyone must have, a money back guarantee.

With all that I’m going to tell you about three web hosting providers that I trust and other podcasters trust as well.

DreamHost
Alot of podcasters use DreamHost because of there 2 week free trial, But I like DreamHost for a 50gb’s of Backup space, If your site crashes or a server goes done and you dont have a backup of your wordpress files your out of luck, so +1 for DreamHost… But when I talked to tech support they had told me that it does not include the MySql database :( but does keep a backup for 5 days, but they cant guarantee that the database will be updated with the latest posts you have made (I used WP Database Backup that emails me the database so I’m not worryed at all). For those of you who are used to using CPanel, DreamHost uses there own type of control panel, the control panel isnt all that bad and I think is a little bit easier to use than others. If your a tech head like me you have full shell access, What fun :D . Support is FAST FAST FAST, when I tested support I was talking to a real person with in seconds, and my questions where answered very quick.

BlueHost
BlueHost is the most popular of the hosting providers for podcasters and the one with with the most to give offering a Anytime Money Back Guarantee… Yes you read right a Anytime Money Back Guarantee, Unlimited Site Transfer if you have backups of your data, and the ability to install your blogging software like wordpress or a message board like phpbb. If you dont have a domain name BlueHost will provide you one for free for a year. Support was the slowest of all three, and took 1 min 35 sec to get someone to talk to and over 2 min for an answer, although I do know that alot of users need support and depending on the time of day, its hit or miss for good support. Alot of podcasters choose BlueHost for there ability to have easy E-Commerce and protect your files from other people.

Hostgator
Hostgator is the host I use for all my web hosting needs, and this hosting provider has been getting very populer in the press for having there servers be powered by wind… Yes WIND, you know air blowing though wind mills and stuff! talk about being eco friendly or what?
I use Hostgator because the support its fast and the techs know what they are talking about. Not only is support great but pricing is great also. Alot of hosting providers only offer monthly plans, Hostgator offers plans that start from monthly to yearly well upto 3 years and give you a BIG discount on the price. If you are using your site for a business Hostgator gives you $100 in Google AdWord Dollars, which is the highest ammount that I have ever seen Google give away. Depending on the plan you choose (Hatchling, Baby, or Business) you get a ton of different features, like multiple domain parking, 800 number, dedicated ip address, and more.

In conclusion not all hosting providers are the same, some are located in different states or country’s, but one thing stays the same they all can host your website.

So what host do you use? Leave a comment below or email me @ Feedback@How2Podcast.com

Sponsorship/Advertising for New Podcasts, Podcast advertising terminology, Adverting Resources, and Talking to sponsors or advertisers

Starting a podcast (if you already haven’t started) is a easy breezy compared to Advertising. When thinking about Sponsorship or Advertisements for your podcast, you need to know a few key podcast advertising Buzz/Online advertising pricing model words first that accompany your start to advertising.

CPA (Cost Per Action)

The actions defined in a cost-per-action agreement relate directly to some type of conversion, with sales and registrations among the most common. This does not include deals based solely on solely clicks, which are referred to specifically as cost-per-click or CPC.

The cost-per-action (CPA) model is at the other end of the spectrum from the cost-per-impressions model (CPM), with the cost-per-click (CPC) model somewhere in the middle. In a CPA model, the publisher is taking most of the advertising risk, as their commissions are dependant on good conversion rates from the advertiser’s creative units and Web site.

Marketers looking for cost-per-action deals have several options. Publishers with considerable excess inventory may be willing to consider nonstandard offers. Sites specializing in incentive programs are in a position to offer CPA pricing on various types of leads, although the usual caveats concerning incentivized traffic still apply. Perhaps the most widespread use of performance-based pricing is affiliate marketing, whereby merchants/advertisers determine what actions they want to reward and how much they are willing to pay.

Information provided by MarketingTerms.com

CPM (Cost Per Mille)

The total price paid in a CPM deal is calculated by multiplying the CPM rate by the number of CPM units. For example, one million impressions at $10 CPM equals a $10,000 total price.

1,000,000 / 1,000 = 1,000 units
1,000 units X $10 CPM = $10,000 total price

The amount paid per impression is calculated by dividing the CPM by 1000. For example, a $10 CPM equals $.01 per impression.

$10 CPM / 1000 impressions = $.01 per impression

Information provided by MarketingTerms.com

CPA and CPM are keywords to podcast advertisers that are used most often when talking to potential sponsors or advertisers, everything comes back to CPA and CPM so get to know the buzz words very well.

Adverting Resources

There are New Media company’s that do the leg work for you, most require a big audience and make your audience go though a survey, before you start advertising. Most people will argue but I believe that listeners do not want to participate in surveys especially one involving advertising. This can discourage the little guy or gal who wants to advertise and could bug the listeners.
This is true in some cases, but there are many of ways to advertise with out the need to jump though hoop’s or climb ladders.
One New Media Company, RawVoice inc. excels the new podcaster by offering Podcast hosting, Free Podcast stats, and the ability to making money regardless the size of the podcast.
RawVoice does this by giving the podcaster the abillity to have host read advertisements or having product offer codes to be talked about in the podcast.

One GREAT method is to have a affiliate link. Affiliates are mainly used on a Web site as banners or text links. BUT can be used in audio or video.
One of my shows, I have my hosting provider as a sponsor, The script below is how I would promote the sponsor to my listeners,

“Bandwidth for this show is brought to you by HostGator with 99.9% up time, 45 Day money back guarantee, and Plans as low as $4.95. Go a head and visit MacTipPodcast.com/hostgator to get more info.”

This example is called CPA and when ever someone signs up for a hosting account, I will receive a small one time commission payment on that affiliate.
You can set this up fairly easily by using the affiliate link provided by an affiliate, and then use your hosting company’s built in redirect feature or if you have wordpress a easy to use plug-in called Redirection.
You dont always have to use a wordpress plug-in or the hosts redirect software. If you have the money you can buy a domain name like GetProductName.com, and have the domain redirect to the Product URL, This should allow you to have better control of what your selling AND sound better when your presenting the sponsor.

A good and educational way is to get advertising on your own. This method isn’t my preferred method Because its just it involves so much legwork.
All you have to do is try and contact the company you want to have sponsor your show.
Email, Call, or hell fax if you can, any thing that makes the company think you have the initiative to do what you say your going to do.
The down side to this is you have to do all the leg work, keep track of stats, bill the company, send invoices, and etc.

Talking to sponsors or advertisers

When talking to a new sponsor or advertiser, feel out to see if the person who you are talking to knows about new media and put out the potential that your show could bring to his or her company by having an audio ad that lasts even after the advertising deal is over.
When money comes in to how much it will cost for you to promote a product, DO NOT ask the advertiser what should they pay, ask what they are the willing to spending this quarter on advertising. You set the price for you to sponsor/advertise products on your podcast, its just like negotiating the amount you get payed when you have a job interview or bid for a job, to high and and you can negotiate down, to low and you can never ask for more.

Don’t Call your self a podcast unless its titled within your name, most company’s are afraid to advertise in podcasts, due to not knowing anything about it. So call your self “Download-able media show” or “Internet Radio Show”. After you say that a few times then you can start calling your self a podcast but keeping the thing you called yourself before. Offer data on your show such as, download stats, where in the world people are listening, ad slots available, how long you will be talking about the products you willing to talk about, do they looking host read ads, or prerecord ads, and how long the ad would be.

I hope this Info helps someone out who is looking for Sponsors or Advertisers.
So go out and and get some advertising for your podcast.
If you have any Questions feel free to email me privately at Ben@how2podcast.com

Update: Podcasts For Podcasters

Searching for podcasts about podcasting, on google, Bing or other search engines is pain, I know I tryed. iTunes does have a section on podcasting but it isnt a good source. Most podcasters need to submit to this section to get listed on it. and almost all podcast directory’s dont have a directory listing of podcasts for podcasters.
Its a real shame because those people that want to learn about podcasting search on itunes and search engines.
So I put together a list of Podcasts For Podcaster that are currently active providing content for you the podcaster.

If you know of a Podcast that Podcasts about Podcasting that is still podcasting (hrmm kinda a tongue twister) Please leave a comment below and I will add it to the list.


The Audacity to Podcast


Art Of Podcasting

Podcast Academy
Podcast Academy (Podfaded But still good info)

The Podcast Answer Man
The Podcast Answer Man

Podcasters' Emporium
Podcasters’ Emporium

The Podcasters Studio with Ray Ortega
The Podcasters Studio with Ray Ortega
Ray Also produces “Podcast Quick Tips” on the same site.


Podcast Advisor With Andy White


Podcast Starter With James Kennison

School of Podcasting
School of Podcasting

Podcasting From Scratch

Review: Behringer XENYX 1204USB

Over the years I’ve used alot of different brands of mixers; Mackie (Church; Great Features, but Faders weren’t what I was used to), Peavey (Church, Podcasting, and Theater; Great experience, but lacked some features), Yamaha (Podcasting; Lacking some sound and didnt like the volume knobs on the low end models). With  all the mixers I have used no brand of mixer has impressed me more than Behringer.

I first started using Behringer with a Behringer MX400 Headphone mixer and I have to say its been wornderful. But with the demise of my Yamaha MG102C 10 Input Stereo Mixer loosing the preamps. I wanted to see what other mixers where better and able to meet my needs and like all podcasters “price range”.

My criteria for a mixer is very simple, I require;

  • 4 XLR connections (only need one But I want to expand).
  • 1 Aux port.
  • Compressor (would like a limiter but no mixer has that).
  • And a MUST Sliders/faders for volume control.

So with all that to think about enter the Behringer Xenyx 1204USB

According to Behringer’s website ”The Behringer Xenyx 1204USB is perfect for a small live-performance mixer, as well as home-based recording setup” and I agree, most manufactures give you the bare minimum and charge you for premium.

Over the years Behringer have been called thieves in the audio industry for copying other company’s products and calling it as there own. Behringer may have done these things but has made the market into what it is today. Quality and more features than others at a lower price for the consumer is a Win Win for you. So with that, the Behringer XENYX 1204USB you get bang for your buck.

  • 4 XENYX, phantom-powered Mic Preamps, Great if I was to use a Condenser Mic like the Blue Bluebird Condenser Microphone
  • 4 1/4 Unbalanced jacks for hooking up your Instruments or Computers
  • 4 studio-grade compressors with “one-knob” functionality and control LED, Which is alot better than my old mixer hands down.
  • Neo-classic “British” 3-band EQs
  • Built-in stereo USB/Audio Interface to connect directly to your computer. (Useful for streaming or recording to a computer)
  • Comes with Mixer Computer Driver, Free audio recording, editing and podcasting software plus 150 instrument/effect plug-ins. Most of whats on the disk is out dated, But the plugins are useful.
  • 2 Aux sends per channel: 1 pre fader for monitoring applications, 1 post fader for external FX devices. Great for doing a mix minus and having other things like a Lexicon MX200 Stereo Reverb/Effects Processor
  • Clip LEDs and Mute buttons on all channels. Mute buttons are one of the best things you could ever have on a mixer. If your going to cough or a is plane going over head, mute buttons make it so you dont have to lower the volume and mess up the recordings
  • 2 subgroups with separate outputs for added routing flexibility (Good for streaming your podcast)
  • 2 multi-functional stereo aux returns with flexible routing (Like I said before Mix minus or Efx)
  • Balanced (XLR) main mix outputs to hookup a pair of studio speakers.
  • Control room, headphones and stereo tape outputs.(I use this to hookup my Behringer MX400 Headphone mixer)
  • Long-wearing 60-mm logarithmic-taper faders and sealed rotary controls (Yes Slider/Fader Volume controls)
  • “Planet Earth” switching power supply for maximum flexibility (100 – 240 V~), noise-free audio, superior transient response plus low power consumption for energy saving
  • Rack mount brackets

The back of the 1204USB is a little different from what I was used to. Coming from the Yamaha MG102C where the only thing on the back is the power switch. The 1204USB makes it a little difficult to turn on and off with the Phantom power being right next to it, but I have gotten used to it. On the upside the 1204USB does boast a standard computer power cable. Unlike others that make you to more to replace if you loose them.

Thanks to the 1204USB’s built-in, bi-directional stereo USB audio interface, you can connect the 1204USB mixer directly to your Linux, Mac, or PC computer via the included USB cable and makes it able for you to record directly to a hard drive.

Other things on the back of the 1204USB include 2 XLR main outputs which are a little out of date, due to the most speakers sporting Speakon Jacks. Behringer Recommended using the Behringer EurOlive line of PA speakers but can use any powered speakers. The other TS 1/4in ports are used as the Alt 3-4 and Control Room lines and can be used for various different ways of a recordings.

So in conclusion of the Behringer Xenyx 1204USB
Pros: 2 Aux, Faders, compressor, mute buttons, Price
Cons: Phantom switch could be moved to top of mixer

So for $163.99 (amazon.com) its a very good mixer for the hobbyist podcaster, or the pro podcaster. If your looking at having a bigger group of microphones in your studio I recommend the Behringer Xenyx X1222USB which is almost the same but has some way cooler features.

If you have anything to add? You can leave a comment below or email me @ Feedback@How2Podcast.com

Podcast File Size: How Big? How Small?

Music NoteIgnore everything that has been said in the past about podcast size. Today we have MP3 players that are BIG, upwards of 120GB. They able to hold hundreds or thousands of podcasts, music, or audiobooks, all on a single device.
So unless you publish Podsafe music or have a very good reason to do something different, release your mp3s at 128kbps, with constant bit rate, and joint stereo. There are all sorts of different options that you can encode an MP3 with, I my self encode my podcasts at 64bit in stereo. Yes I do loose some quality in my podcast, but not that much.

Most podcasts consist of 2% music/efx and 98% Vocal. A 64bit mp3′s are great for most vocals, But the higher pitched vocal you are, the higher the bit-rate you want. This is because the lower bit-rates like more of a deeper/richer tone, because the “MP3 Codec” removes higher tones.

For those who are worried about offending those who’s are still using dialup internet… May know what they’re in for and/or just don’t know what a podcast is. 98% of people who listen to podcasts have broadband whether its DSL, Cable, Fiber, or Wireless. With the advent of streaming music, on-demand video, and gaming services, people are starting to get used to downloading bigger and bigger files. So relax, and enjoy creating good content.

If you have anything to add? You can leave a comment below or email me @ Feedback@How2Podcast.com

Review: Zoom H1 Handy Portable Digital Recorder

Straight to the point: If you’re considering getting a small digital audio recorder for podcast recording or recording in the field and your needs are simple and cheap please consider this one.

First off the sound of the Zoom H1 is quite out of this world for a recorder its size and price($99 US).
The Button/switch placement is easy a cave man can record with its layout. Simply press the big red button on the front and your recording. When done recording, press it again. If you want to hear what you’ve just recorded, simply push the play button on the side. and hear what you recorded with its builtin speaker or plugin headphones. The down side is that the is no pause button, so you will have to stop the recording and start a new one (Meaning more time in your editor). The Zoom H1 does allow you to place “markers” into the *.WAV files during the recording, Which makes it easy for transport/identification during playback in audio editors. (But most editors like Audacity does not support this feature )

The Zoom H1 records in two formats *.MP3 and *.WAV. And the H1 also records in a many of bit-rate depths and sample rates. (WAV 96kHz/48kHz/44.1kHz at 16-bit or 24-bit and 48 to 320kbps for MP3.)
There are 2 audio jack on the Zoom H1 an Mic/Line in jack where you can hook up a Lavalier Microphone or if you are shooting with a camera a Shotgun Microphone although most of us podcasters just want to hook it up to a mixer you can do this with a 3.5mm to RCA cable

The File transfer of the Zoom H1 is quite easy and fast. The H1 uses Hi-speed USB 2.0 unlike others who use Full-speed USB 2.0. One thing about the Zoom H1 is when you want to transfer your files you have to turn off the recorder in order to move the files over to the computer via USB. (Not a big deal at all)

You would think from the pictures that the Zoom H1 would be small but it is, it fits in the palm of my hand or maybe a Snickers bar (8 x 2 x 5 inches). The H1 is very light even with its one AA battery. I have another much smaller recorder(6 x 1in) and its much heavier. Even thought the Zoom H1 is light, I wouldn’t suggest banging it around, its still made of plastic. The odd thing about this device is they equipped it with connector for a wrist strap, so if your doing con’s you can feel more secure about not dropping the H1 (A Wrist strap is not included so you have to buy one)

There are flimsy parts to the Zoom H1, like the microSD card slot cover, its made of a hard plastic, and looks like it might come off and break with very little force (I’ve already kissed mine goodbye just in case). The battery cover clip also looks to be not that well made but as with any DIY person electoral tape works wonders. The buttons make clicking noise so be careful when using them. The tripod mounting joint is also made of plastic so you might not want to over tighten when mounting the H1 to a tripod or a microphone mount. I do have to say if the casing was made from a flat black plastic it would look alot stronger and not so much of a kids toy. But the Zoom H1 is is a Pro consumer device and is priced well at $99 US and should be handled with care as with any recording equipment.

The Zoom H1 does not record in mono, which might be fixed in a future firmware update, but on the good side it however record a mono line. This problem can also be fixed in any editor, and in todays world of podcasting Mono is no-longer needed due to the file size being the same.

Battery Life on the Zoom H1 is very good about 10 hours according to the manufacture. Although I have seen that some battery brands drain much quicker than others, but what battery operated device doesn’t. Some users have reported that this device drains its battery even though is off, well I can say it does, it has to keep the time and with the H1 only having only one AA, its not surprising. I would recommend getting name brand AA rechargeable battery’s so you don’t waste money.
Also the Zoom H1 doesn’t turn off by its self which is a good thing… But it does drain the battery and not that much, I have had the H1 on for as long as three days after a session and it still was able to record an hours worth of a podcast the next week.

The Zoom H1 includes a 2GB microSD memory card, and supports all kinds of other microSD/SDHC Cards in various sizes. Although the 2GB card wasn’t enough storage for my needs (I keep five of the least podcasts/recording I recorded on the Zoom H1), so I went out an bought a SanDisk 32GB MicroSDHC Card. According to Samson’s website some MicroSD cards doent work so check the website for details.

Zoom has made an H1 Accessory Pack that is really cool which includes a Cheap Windscreen (Great for voice, but horrible for wind noise.), USB AC Adapter, USB Cable, Adjustable Mini Tripod, Padded Shell Case, and Mic Clip Adapter (For putting the H1 on a mic stand). Other 3rd Party Accessory’s include; Zoom H1 Furryhead Windscreen (Also called a “dead cat” type windscreen. This type of windscreen is what the pros use of you are in an outside setting where the wind blows at various speeds)
If you looking for a nicer case for your Zoom H1 Tuff-Luv Offers a Leather Case Cover that allows you to have easy access your H1

When I tested the Zoom H1, I tested it in my work truck at 80, 30 and 10 MHP. The truck has alot of noise coming from the back as well as road noise. When the Auto level and Lo Cut switch where turned on it made for a nice recording, but when hooked the H1 to my headphone jack on the mixer those switchs needed to be turned off, otherwise the recording will not be good. For recording I like to have my levels set between -12 and -6 for a good recording and if needed, amped up in post via an editor.
When you plug in a 3.5mm cable into the line in jack the Zoom H1 detects this and turns off the two external mics and allows you to record via the Line in.

In conclusion, I give the Zoom H1 Handy Recorder 4 out of 5 stars for its design and quality of sound. And highly recommended the Zoom H1 Handy Recorder for any podcaster who is looking to not record a podcast on software and/or looking at taking there show to the streets for interviews or cons.

If you have anything to add? You can leave a comment below or email me @ Feedback@How2Podcast.com